SydLexia.com Forum Index
"Stay awhile. Stay... FOREVER!"

  [Edit Profile]  [Search]  [Memberlist]  [Usergroups]  [FAQ]  [Register]
[Who's Online]  [Log in to check your private messages]  [Log in]
The Potential Future of the Music Industry


Reply to topic
Author Message
Rycona
Moderator
Title: The Maestro
Joined: Nov 01 2005
Location: Away from Emerald Weapon
PostPosted: Apr 03 2009 03:22 pm Reply with quote Back to top



RIP Hacker.
 
View user's profileSend private messageSend e-mail
Cattivo
Joined: Apr 14 2006
Location: Lake Michigan
PostPosted: Apr 03 2009 04:04 pm Reply with quote Back to top

It's strange, I still see the utility of albums, because they provide an automatic, smaller playlist of related songs for your mp3 player, instead of just shuffling all of your songs by a particular artist or genre.
View user's profileSend private message
Greg the White
Joined: Apr 09 2008
Location: Pennsylvania
PostPosted: Apr 05 2009 10:35 pm Reply with quote Back to top

The problem are the listeners, always has been since ska died in favor of boy bands in the late 90's. Look at the iTunes playlist of the typical person who's "not into music." It's typically all of the top Billboard singles of the past 10 years. No continuity, just one catchy, mindless song after another. I don't want to live in a musical future that sells almost exclusively to those people that don't give a damn about music but toss their money at it anyway because they need something to listen to while in line for $6 coffee.

That said, I still think this is the best time for music in history, I just wish I wouldn't have to do research just to find it.


So here's to you Mrs. Robinson. People love you more- oh, nevermind.
 
View user's profileSend private message
Captain_Pollution
Title: Hugh
Joined: Sep 23 2007
PostPosted: Apr 06 2009 11:46 pm Reply with quote Back to top

Stupid article. The other night I was pissed, and I got super upset about this. I was gonna shout a lot, but never got around to it. Oh well. Regardless, this article is horrible. Everything it says is obvious, anyone who thinks about it could have figured all this out easilly. I did a couple years ago, give me a fucking medal. Oh well, it's just a shame that someone actually got paid to write this, unless they did it for free, then it's less gay.


<Drew_Linky> Well, I've eaten vegetables all of once in my life.

 
View user's profileSend private message
Blackout
Title: Captain Oblivious
Joined: Sep 01 2007
Location: That Rainy State
PostPosted: Apr 07 2009 12:01 am Reply with quote Back to top

I prefer albums, you get to open it and check out the artwork, plus there's that new album smell. Besides a giant collection of albums will be a lot more impressive than a hard drive full of mp3s a few years down the road.



 
View user's profileSend private messageAIM AddressYahoo MessengerMSN Messenger
Syd Lexia
Site Admin
Title: Pop Culture Junkie
Joined: Jul 30 2005
Location: Wakefield, MA
PostPosted: Apr 07 2009 12:03 am Reply with quote Back to top

I've been wondering about the future of music. Traditional radio is dying. MTV doesn't show videos anymore. The physical sale mediums of music, the CD, is dying. With the diversity of satellite radio and a lack of centralized marketing tools, it is becoming harder for corporations to tell us what's popular. This may be good, but it might be bad.

What will determine if a song is a hit?
How will bands attain national - and multinational - success?
But more importantly, how will teenagers find common ground with each other?

As music marketing becomes decentralized, tastes will diversify to the point where the next generation of kids will grow up listening to completely different music and won't even have a vague knowledge of the bands half of the kids in his class are listening to. And this is bad. Sometimes the only thing that keeps kids from punching or shooting each other in the hallways is their mutual love of GN'R or NWA.

Of course, there are still a few centralized marketing tools. Guitar Hero and Rock Band for instance. In the future, these games very well may dictate what music is cool and what isn't. They already sort of do. DragonForce's popularity and sales quadrupled after being included in GH3.

And then, there's YouTube. If YouTube becomes the gauge of what's popular, we are severely fucked. People don't go on YouTube looking for good music, they go there looking to be entertained... and most of the people there are idiots. If YouTube becomes a driving force within the music industry, then you can expect to find 17,000 covers each of "Chocolate Rain" and "Cooking By The Book" on iTunes by 2015. This is not an exaggeration, if anything, that number is low.
View user's profileSend private messageSend e-mailVisit poster's websiteAIM Address
Cameron
Title: :O � O:
Joined: Feb 01 2008
Location: St. Louis, MO
PostPosted: Apr 07 2009 12:18 am Reply with quote Back to top

I will always prefer CDs to mp3s, if only because I'm a pretty big audiofile, and when I'm listening to music on my computer via headphones, I can't STAND that fuzzy sound that files with low bitrate make.

Despite my affinity to CDs as my favorite sound medium, I simply cannot buy even half of the CDs I want. Why? They're expensive, in comparison to online albums; places like Wal-mart and ESPECIALLY Borders charge $15-$22 for CDs, when I could just get it online for roughly $9. Plus, if I just want one song from an album, it feels like a waste to buy the entire album. And I don't like hunting down the CD single, as it usually costs six bucks, when I could just avoid all the hassle and download the dang song from iTunes for a buck.


Image
 
View user's profileSend private message
Captain_Pollution
Title: Hugh
Joined: Sep 23 2007
PostPosted: Apr 07 2009 01:21 am Reply with quote Back to top

I believe the future's already started. The future of music, as I envision it will be composed primarilly of things like myspace. The internet's had a lot to do with the demise of the album, and it will have a lot to do with what replaces it. It's becoming more and more viable to support yourself by giving your music away for free, and selling hard copies for fairly cheap. Then relying on live performances to stay afloat. Lots of indie bands do that anyway, and the future of music will basically be the indie mentallity taken to all music. Even pop bands will have to work more like this, lots of indie pop has arisen as of late, anyway.

The main problem is that the majors are dying. Sure they'll stay alive through royalties, but as far as the new music scene is concerned, they'll be dead. We've been falling back into the bad habits of the '50s, (ei, taking a few singles, then adding a shitload of filler to get it to 12 tracks, or wherever the local standard was). The first time, The Beatles came and revolutionized the format, and since then, artists have been getting lazy again. Fans don't put up with that, we never did. Back in the '50s everyone bought 78s, the albums all sucked. That's why nowadays a lot of the old greats' records are out of print, you can only find their greatest hits. The difference is, now you don't have to wait for the labels to give you your good songs. No one buys singles anymore, we have the internet.

Fuck, I lost my train of thought. I'll finish this when I remember.


<Drew_Linky> Well, I've eaten vegetables all of once in my life.

 
View user's profileSend private message
Greg the White
Joined: Apr 09 2008
Location: Pennsylvania
PostPosted: Apr 07 2009 06:08 am Reply with quote Back to top

I'd really like to see a comparison of modern Billboard top 100 album sales versus lesser-known album sales. I believe the former can be more measured in terms of individual tracks purchased from iTunes, while the latter can be measured more in pure album sales. The point I'm making is that the average listener has never given a damn about artistic expression, and nothing has changed or will change significantly- they just want something to hum along to. Hell, that's why Eagles' Greatest Hits is one of the best-selling (if not the best-selling) rock album of all time. Whether it was 78's, Greatest Hits, Single LP's, etc., record companies have found a way to pander to those types of people for their money.

Consider this: I've paid money for all albums by the Dillinger Four and Bouncing Souls, and worked overtime at my dishwashing job just to see them in concert together last month. How many people do you think have actually bought and listened to the entirety of any Nickelback or Hinder album, and then forked over whatever exorbitant amount of money those bands charge for tickets to their concerts?

The difference now is that instead of charging $20 for a greatest hits for just that one hit song, the listener can just snag it for a buck off of iTunes, forcing the record company to charge for those $80 nose-bleeds at the pop shows. The target audience for those acts don't know what it's like to pop in Dark Side of the Moon or Zen Arcade with the lyric sheets spread out on the floor. Those people have never felt the power of a great live show. They're just willing to shell out a dollar for a song, and not watch the concert because they just want something to listen to while standing in line so they can pay $6 for some crappy coffee. The record companies had no fore-sight, and they really have nobody to blame but themselves.

To this day, if someone tells me that "They're not into music," I am genuinely offended.


So here's to you Mrs. Robinson. People love you more- oh, nevermind.
 
View user's profileSend private message
Blackout
Title: Captain Oblivious
Joined: Sep 01 2007
Location: That Rainy State
PostPosted: Apr 07 2009 06:23 pm Reply with quote Back to top

Albums in physical form will never completely die, ever gone to a concert and seen a merch table selling mp3s? didn't think so.



 
View user's profileSend private messageAIM AddressYahoo MessengerMSN Messenger
Ice2SeeYou
Title: Sexual Tyrannosaurus
Joined: Sep 28 2008
Location: South of Heaven
PostPosted: Apr 08 2009 06:58 pm Reply with quote Back to top

I never buy MP3 albums online, even though it pains me to be paying 50% more + shipping and having to wait 5 days to receive it. I just prefer to have the real album. The only exception is when it's some kind of imported album with a ridiculous price tag.....then I'll settle for downloading.


Sydlexia.com - Where miserable bastards meet to call each other retards.
 
View user's profileSend private message
Greg the White
Joined: Apr 09 2008
Location: Pennsylvania
PostPosted: Apr 09 2009 01:05 am Reply with quote Back to top

Cameron wrote:


Despite my affinity to CDs as my favorite sound medium, I simply cannot buy even half of the CDs I want. Why? They're expensive, in comparison to online albums; places like Wal-mart and ESPECIALLY Borders charge $15-$22 for CDs, when I could just get it online for roughly $9. Plus, if I just want one song from an album, it feels like a waste to buy the entire album. And I don't like hunting down the CD single, as it usually costs six bucks, when I could just avoid all the hassle and download the dang song from iTunes for a buck.

Half.com usually has REALLY cheap CD's. Give it a shot

There's a store near me that will order whatever you want for you (useful if your roommate is fucking stuck-up yuppie prick who won't let anyone else have the mailbox key), and has a good collection of popular and obscure stuff. I've only ever bought one album from them that cost more than $12, and that's because they've yet to produce any more copies of it.


So here's to you Mrs. Robinson. People love you more- oh, nevermind.
 
View user's profileSend private message
Display posts from previous:      
Reply to topic

 
 Jump to: